The writer holds a very highly important role in the commissioning process when their script is coming alive though TV, movie or theatre. Once a writer has produced his or her script and has had someone to proof read it, (you don’t want any mistakes when taking it to a company) they can then take it so a production company either though email or even a arranged meeting to present your script. Some examples of companies, agencies, and corporations that can help people take new scripts; BBC (England, Competitions), Outwise PR, SEO agencies.
When a writer takes their script to a company they will most likely to do a pitch in fount of a bored of people, they will have to present their ideas clearly and be confident- if you don’t believe in your idea then the company won’t. When a writer is presenting to such places they will need to have professional standards, anything from they way they dress to the vocabulary that they use to present themselves and their script, the more professional the company the more they will have to impress but by just going to a website like BBC writers room they can simply submit the script and it maybe considered for free where as some may charge.Not every writer get’s commissioned with some sort of representation, some do it on their own with money off their own back but it can be much harder to get a production company to take on your idea. May like to see some sort of agency to have representation because then they know you have a professional behind you.One way to get some commission to get some sort of advertising and sponsorship even through submitting scripts to the writers room.
Other roles in the commissioning process other than the writer are an agent, script editor, commissioning editor, director, and producer. The script editor as I said before will edit though the script to point out, correct and re-wrod some part of the script to make the improvements. This is essential in the commissioning progress since to don’t want to submit scripts with mistakes every few words, they work this close with the script editor though the whole writing process to keep track of the progress and to ensure there is a good flow and a good plot throughout. Once the script has been edited thourly it can be sent off though an agent or an agency which will help the writer find work/jobs, it is a pretty simple task but itself is a very hard job that will require a lot of work and time on the agents half. Getting an agent can also be hard but once you have found one they will have excellent communication with you throughout the process of finding jobs and also promoting yourself as a writer and getting your script submitted to companies. Commissioning editors are sort of like agents apart from they wok on the behalf of a publisher or publishing company to find authors that could write to a specification that has been set out by the editor or to find other up and coming writers that have already wrote and developed their script. They will do a lot of work on behalf of the publisher and play one of the key roles in the commissioning process.
The final key roles in the commissioning process belong to the director and the producer. the dirctor will be the one with the vision for the script, he will read it and imagine it to be a cirtin way and will make sure this is directed into the screen play. The director also has the power to change parts of the script if they wish to, including the way that things are spoken and showen, writers will have to be willing and prepared for the director to make the changes to a script that they may find very personal to them. The producer is the person who will pay fir the movie to be made, they will work on their own money or money from a production company. Producers will also have large role in the fact they will be there from start to finish also making sure that the screen play is up to scratch since they have invested all their money into making the movie or TV series happen.
Despite all these other important roles in the process the writer is still one of the most important. Even if the script is being produced by a company or an independent body. They will be on the set most days to make sure that the movie is flowing well and is also to what they imagined it to be when they were writing the script Just because they have since sold the screen writer to the script doesn’t mean that they have sold away their idea, they will still have a very important influence in the way that the screen play is performed and how everyone is acting out the script. Even when writers are still in talks with the commissioning editor they will have a good say as well as an agent in the negotiations with the commissioning editor on prices for the script, what will be done with the script. The writer will have to work closely with all the other people in roles in the process since it is their script that is being made, they can’t just abandon the idea once it is sold.
To anyone else who is considering a carer in script writing I would recommend to make sure you do your research before you begin to write. A good resource to use is the BBC’s writers room (http://www.bbc.co.uk/writersroom/) where they have a large list of videos and articles that you can watch and read to build up your industry knowledge, they also have a section for submitting your script that could help writer get developed. The other ways that I have already described are more harder ways to be noticed by a company. I would also advise anyone thinking of getting into the business to practice a lot and to build up a good portfolio o their scripts and also to get themselves some sort of representation though an agent as it will make the job a lot easier and also give you a good reputation with anywhere that you decide to send your script to. To find yourself an agent may also be another tricky job but as long s you have a built up portfolio then you will be highly considered for an agency.